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Hemelkaart van de baan van de zon rond de aarde, volgens Ptolemaeus (ca. 1660 or 1708) by Pieter Schenk (I). Original from The Rijksmuseum. Digitally enhanced by rawpixel.
Hemelkaart van de baan van de zon rond de aarde, volgens Ptolemaeus (ca. 1660 or 1708) by Pieter Schenk (I). Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Ammonitida–Ammonshörner from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
Ammonitida–Ammonshörner from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Almond in Flower from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Almond in Flower from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Athyrium Filix–Femina (Lady Fern) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Athyrium Filix–Femina (Lady Fern) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Milkmaid (ca. 1660) by Johannes Vermeer. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
The Milkmaid (ca. 1660) by Johannes Vermeer. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Guide for Constructing the Ligature ae from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Guide for Constructing the Ligature ae from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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The Queen–Plant from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
The Queen–Plant from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Narrow–Leaved Kalmia from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
The Narrow–Leaved Kalmia from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Columbine, Marigold and Pheasant's Eye from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Columbine, Marigold and Pheasant's Eye from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Garden Tulip (1885) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Garden Tulip (1885) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Superimposed Letters Spelling the Names of Illustrious Women of Ancient Rome: Faustina, Lucretia, Virginia, Vittoria, Giulia, Flaminia  from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnag
Superimposed Letters Spelling the Names of Illustrious Women of Ancient Rome: Faustina, Lucretia, Virginia, Vittoria, Giulia, Flaminia from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnag
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The Repast of the Lion (1907) by Henri Rousseau. Original from The MET Museum. Digitally enhanced by rawpixel.
The Repast of the Lion (1907) by Henri Rousseau. Original from The MET Museum. Digitally enhanced by rawpixel.
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Huppes et stramoine, bordure. Papillons, étoffe de soie. Kangourou et arbres, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
Huppes et stramoine, bordure. Papillons, étoffe de soie. Kangourou et arbres, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Écureuils from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil.​​​​ Original from the The New York Public Library. Digitally enhanced by rawpixel.
Écureuils from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil.​​​​ Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Papagallo no.15 la Piovra Russa Anno VI by Augusto Grossi (1835-1919), a cartoon depiction of Europe in 1878, using caricatures and monster kraken. Original from Library of Congress. Digitally enhanced by rawpixel.
Papagallo no.15 la Piovra Russa Anno VI by Augusto Grossi (1835-1919), a cartoon depiction of Europe in 1878, using caricatures and monster kraken. Original from Library of Congress. Digitally enhanced by rawpixel.
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Vintage bunch of red grapes illustration. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
Vintage bunch of red grapes illustration. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Têtes de chèvres, semis. Flamant, plaque cuivre fondu. Martins-pêcheurs, libellules, roseaux et nénuphars, encadrement de miroir cuivre repoussé. Lapins et muguet, frise from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil.
Têtes de chèvres, semis. Flamant, plaque cuivre fondu. Martins-pêcheurs, libellules, roseaux et nénuphars, encadrement de miroir cuivre repoussé. Lapins et muguet, frise from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil.
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Caterpillar and Insect from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Caterpillar and Insect from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Hepaticae–Lebermoose from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
Hepaticae–Lebermoose from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Tineida–Motten from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
Tineida–Motten from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Insects, Carnation, and Judas Tree from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Insects, Carnation, and Judas Tree from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Polypodium Hastaefolium from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Polypodium Hastaefolium from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Vintage bunch of green grapes illustration. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
Vintage bunch of green grapes illustration. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Sidney Hall’s (?-1831) astronomical chart illustration of the Taurus. Original from Library of Congress. Digitally enhanced by rawpixel.
Sidney Hall’s (?-1831) astronomical chart illustration of the Taurus. Original from Library of Congress. Digitally enhanced by rawpixel.
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Anthomedusae–Blumenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
Anthomedusae–Blumenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Trachomedusae–Kolbenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
Trachomedusae–Kolbenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Shell of a sea snail (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
Shell of a sea snail (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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Honeysuckle (1874) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Honeysuckle (1874) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Hemelkaart met de noordelijke en zuidelijke sterrenbeelden (1705) by Pieter Schenk (I). Original from The Rijksmuseum. Digitally enhanced by rawpixel.
Hemelkaart met de noordelijke en zuidelijke sterrenbeelden (1705) by Pieter Schenk (I). Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Wallflower Pattern (1890) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Wallflower Pattern (1890) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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French Rose and Apple from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
French Rose and Apple from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Medlar, Poppy Anemone, and Pear from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Medlar, Poppy Anemone, and Pear from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Ladybird and European Wild Pansy from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Ladybird and European Wild Pansy from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Guide for Constructing the Letter N from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Guide for Constructing the Letter N from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Chard Leaves and Red Winged Grasshopper from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Chard Leaves and Red Winged Grasshopper from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Carnation, Martagon Lily, and Pear from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Carnation, Martagon Lily, and Pear from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Canadian Wild Flowers (1869) Plate [L]: 1. Castilleia Coccinea (Scarlet Painted Cup) 2. Orchis Spectabilis (Showy Orchis) 3. Arum triphyllum (Indian Turnip) and 4. Rudbeckia Fulgida (Corn Flower) by Agnes Fitz Gibbon and Catharine Parr Traill. Original fr
Canadian Wild Flowers (1869) Plate [L]: 1. Castilleia Coccinea (Scarlet Painted Cup) 2. Orchis Spectabilis (Showy Orchis) 3. Arum triphyllum (Indian Turnip) and 4. Rudbeckia Fulgida (Corn Flower) by Agnes Fitz Gibbon and Catharine Parr Traill. Original fr
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Turkish Pillow cover during 19th Century embroidered in coloured threads, silks on cotton, chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green by William Morris. Original from The Birmingham Mu
Turkish Pillow cover during 19th Century embroidered in coloured threads, silks on cotton, chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green by William Morris. Original from The Birmingham Mu
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Leaping Brook Trout chromolithograph (1874) by Samuel Kilbourne. Original from Museum of New Zealand. Digitally enhanced by rawpixel.
Leaping Brook Trout chromolithograph (1874) by Samuel Kilbourne. Original from Museum of New Zealand. Digitally enhanced by rawpixel.
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Nose-Trunk (Ostracion Nasus) from Ichtylogie, ou Histoire naturelle: génerale et particuliére des poissons (1785–1797) by Marcus Elieser Bloch. Original from New York Public Library. Digitally enhanced by rawpixel.
Nose-Trunk (Ostracion Nasus) from Ichtylogie, ou Histoire naturelle: génerale et particuliére des poissons (1785–1797) by Marcus Elieser Bloch. Original from New York Public Library. Digitally enhanced by rawpixel.
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Avocado (Persea) (1916) by Amada Almira Newton. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
Avocado (Persea) (1916) by Amada Almira Newton. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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A Sloth from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
A Sloth from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Peaches (Prunus Persica) (1919) by Royal Charles Steadman. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
Peaches (Prunus Persica) (1919) by Royal Charles Steadman. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Cubomedusae–Würfelquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
Cubomedusae–Würfelquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Cherries (Prunus Avium) (1894). Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
Cherries (Prunus Avium) (1894). Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Coq, vase argent ciselé. Ombelles et libellules, jeu de fond. Crevettes, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
Coq, vase argent ciselé. Ombelles et libellules, jeu de fond. Crevettes, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Adiantum Capillus–Veneris (Southern Maidenhair Fern) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Adiantum Capillus–Veneris (Southern Maidenhair Fern) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Guide for Constructing the Letters s and t from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Guide for Constructing the Letters s and t from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Scarlet Ipomoea, Honeysuckle, White Heath and Sweet Sulian from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Scarlet Ipomoea, Honeysuckle, White Heath and Sweet Sulian from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Polypodium Inaequale from Ferns: British and Exotic (1856-1860) by Edward Joseph LoweEdward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Polypodium Inaequale from Ferns: British and Exotic (1856-1860) by Edward Joseph LoweEdward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Guide for Constructing the Letters u and v from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Guide for Constructing the Letters u and v from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Guide for Constructing the Tironian con and orum from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
Guide for Constructing the Tironian con and orum from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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The Rose, the Myrtle and the Ivy from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
The Rose, the Myrtle and the Ivy from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Two Women on the Shore (1898) by Edvard Munch. Original from The MET Museum. Digitally enhanced by rawpixel.
Two Women on the Shore (1898) by Edvard Munch. Original from The MET Museum. Digitally enhanced by rawpixel.
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The Story of the Dwellers at Eyr by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
The Story of the Dwellers at Eyr by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Cactus Opuntia Inermis Image from Histoire des Plantes Grasses (1799) by Pierre-Joseph Redouté. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Cactus Opuntia Inermis Image from Histoire des Plantes Grasses (1799) by Pierre-Joseph Redouté. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Pontic Rhododendron from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
The Pontic Rhododendron from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Hollyhock, Hepatica and Rest Harrow from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Hollyhock, Hepatica and Rest Harrow from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
by Free Public Domain Illustrations by rawpixel

クリエイティブ・コモンズ 表示 2.1

Asplenium Vulgare from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
Asplenium Vulgare from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
by Free Public Domain Illustrations by rawpixel

クリエイティブ・コモンズ 表示 2.1



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