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Strawberry (Fragaria) (1891) by William Henry Prestele. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Hippocampus and fish, Fantasy animals (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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Strawberry (Fragaria) (1929) by Louis Charles Christopher Krieger. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Love is Enough–Narrow Band of Ornament with Apples and Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Acanthus (1879-1881) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Strawberries (Fragaria) by Deborah Griscom Passmore (1840–1911). Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Strawberry (Fragaria) (1930) by Louis Charles Christopher Krieger. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Fly agaric, Amanita muscaria (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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Lemons (Citrus Limon) (1908) by Ellen Isham Schutt. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Orange (Citrus Sinensis) (1916) by Amanda Almira Newton. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Adiantum Pubescens from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Love is Enough–Upright Border or Sidepiece with entwined Foliage and Flowers (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Paons et pavots, bordure. Grondins, algues et coquilles, plat en émail cloisonné from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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The Fairy Queen Takes an Airy Drive in a Light Carriage, a Twelve–in–hand, drawn by Thoroughbred Butterflies (1870) by Richard Doyle. Original from The MET Museum. Digitally enhanced by rawpixel.
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Love is Enough–Narrow Band of Ornament Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Crevettes, support en bronze pour un vase. Martin-pêcheur et poissons, jardinière bronze et émail cloisonné. Lézards et aubépine, papier peint. Escargots, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Origina
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Colombes et lis, étoffe imprimée from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Sidney Hall’s (1831) astronomical chart illustration of the Monoceros, Canis Minor and the Atelier Typographique. Original from Library of Congress. Digitally enhanced by rawpixel.
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Cygne sauvage from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Pomegranates (Punica Granatum) by Amanda Almira Newton (ca. 1860–1943). Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Chauves-souris et pavots, tenture. Papillons et campanules, papier peint from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Actiniae–Seeanemonen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Dragonfly, Pear, Carnation, and Insect from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Kaart van de aarde met de verschillende standen van de maan en de zon (1708) by Johannes van Loon. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Martins-pêcheurs, libellules et butome en ombrelle, bordures; papillons et oxalide, étoffe from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Cygnes et sagittaire, bordure. Pappillons et feuillages, étoffe. Cerfs et biches, frise from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Tulips from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Jasmine by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Leptomedusae–Faltenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Cerfs et arbres, papier peint. Écureuil oiseaux et sorbier, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Love is Enough–Upright Border or Sidepiece with Roses and Vines with Bunches of Grapes entwined around a Pole (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Lucanes et champignons, oxalides et papillons, bordure; cygnes, iris et nénuphars, émail cloisonnéfrom L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by raw
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Four diagrams of Solar eclipses (1711) by Johannes Buno. Original from Library of Congress. Digitally enhanced by rawpixel.
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Oiseaux. Libellules. Mouches. Chauve-souris. Écureuils et noisettes. Cygnes, bordures from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Libellules, butome en ombelle, nénuphars, panneau. Oiseaux-mouches et orchidées, étoffe. Oiseaux-mouches et capillaires, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Lib
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Sterrenkaart van de zuidelijke sterrenhemel (ca. 1722–1750) by Carel Allard. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Strawberries (Fragaria) (1894) by Deborah Griscom Passmore. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Cock Pheasant (1916) by William Morris and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Strawberry, Mignonette, Tulip, and Blue Bell and from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Cerfs from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Cacatoès, bordure. Chiens, chevrettes et marcassins, cuir gaufré et doré from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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The Sacred Egyptian Bean from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Bananas (Musa) (1904) by Ellen Isham Schutt. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Book Cover of The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Fly, Caterpillar, Pear, and Centipede from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Blue Bottle, Dog Rose and Garden Anemone from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Strawberry (Fragaria) (1891) by Deborah Griscom Passmore. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Tulip and Willow (1875) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Orchideae–Denusblumen / A. Giltsch, gem from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Corbeaux, bordure au pochoir; cigales et chardons, étoffe imprimée from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Hippocampes et algues, bordure. Les quatre éléments, carreaux céramiques, et lézards, bordure. Iris et libellules, papillons, jeux de fond from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York
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Love is Enough–Upright Border or Sidepiece Foliage entwined around a Pole (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Faisans ordinaires, digitales, fougères et pissenlit, étoffe imprimée. Renard, oiseaux et vigne, bordure. from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhance
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Poissons. Frise au pochoir. Libellules et butome, abat-jour. Cygnes et nénuphars, velours imprimé from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by raw
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Trochilidae–Kolibris from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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The Equatorial Jungle (1909) by Henri Rousseau. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
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