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Trachomedusae–Kolbenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Sidney Hall’s (?-1831) astronomical chart illustration of the Taurus. Original from Library of Congress. Digitally enhanced by rawpixel.
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Shell of a sea snail (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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Honeysuckle (1874) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Roodborstje op besneeuwde boomtak (1878–1910) print in high resolution by Theo van Hoytema. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Wallflower Pattern (1890) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Polypodiaceae Aspidieae (Polypody) rolled–up frond enlarged 4 times, Vaccinium Corymbosum (Common or Swamp Blueberry) bunch of fruit enlarged 8 times, and Polystichum Falcatum (Prickly Shield–fern) young rolled–up frond enlarged 5 times
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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French Rose and Apple from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Medlar, Poppy Anemone, and Pear from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Ladybird and European Wild Pansy from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Chard Leaves and Red Winged Grasshopper from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Carnation, Martagon Lily, and Pear from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Aloe Opuntia Polyanthos Image from Histoire des Plantes Grasses (1799) by Pierre-Joseph Redouté. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Passiflora Cerulea from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Turkish Pillow cover during 19th Century embroidered in coloured threads, silks on cotton, chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green by William Morris. Original from The Birmingham Mu
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Interior showcase decor for Fouquet by Alphonse Maria Mucha (1869–1939). Original from The Public Institution Paris Musées. Digitally enhanced by rawpixel.
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Canadian Wild Flowers (1869) Plate [L]: 1. Castilleia Coccinea (Scarlet Painted Cup) 2. Orchis Spectabilis (Showy Orchis) 3. Arum triphyllum (Indian Turnip) and 4. Rudbeckia Fulgida (Corn Flower) by Agnes Fitz Gibbon and Catharine Parr Traill. Original fr
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Peaches (Prunus Persica) (1919) by Royal Charles Steadman. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Leaping Brook Trout chromolithograph (1874) by Samuel Kilbourne. Original from Museum of New Zealand. Digitally enhanced by rawpixel.
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Ornamental letterpress stamp for a book binding (Ornamentale boekdrukstempel voor een boekband) (1878–1944) print in high resolution by Samuel Jessurun de Mesquita. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Cherries (Prunus Avium) (1894). Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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A Sloth from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Nose-Trunk (Ostracion Nasus) from Ichtylogie, ou Histoire naturelle: génerale et particuliére des poissons (1785–1797) by Marcus Elieser Bloch. Original from New York Public Library. Digitally enhanced by rawpixel.
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Avocado (Persea) (1916) by Amada Almira Newton. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Studies van wingerdbladen (1796) in high resolution by Willem van Leen. (Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Adiantum Capillus–Veneris (Southern Maidenhair Fern) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Coq, vase argent ciselé. Ombelles et libellules, jeu de fond. Crevettes, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Guide for Constructing the Letters s and t from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Sidney Hall’s (1831) astronomical chart illustration of Lynx and the Telescopium Herschilii. Original from Library of Congress. Digitally enhanced by rawpixel.
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Scarlet Ipomoea, Honeysuckle, White Heath and Sweet Sulian from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Story of the Dwellers at Eyr by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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The Pontic Rhododendron from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Hollyhock, Hepatica and Rest Harrow from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Rose, the Myrtle and the Ivy from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Guide for Constructing the Letters u and v from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Guide for Constructing the Tironian con and orum from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Cactus Opuntia Inermis Image from Histoire des Plantes Grasses (1799) by Pierre-Joseph Redouté. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Asplenium Vulgare from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Cranes from Momoyogusa–Flowers of a Hundred Generations (1909) by Kamisaka Sekka. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Love leading the Pilgrim: Tapestry (1909) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Catalogusomslag met twee apen, Theo van Hoytema (1900) print in high resolution by Theo van Hoytema. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Self–portrait of the eyes only (Zelfportret van alleen de ogen) (1917) print in high resolution by Samuel Jessurun de Mesquita. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Chinese flower painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Scarlet Ibis with an Egg (1699–1700) by Maria Sibylla Merian. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Sidney Hall’s (?-1831) astronomical chart illustration of the Scorpio. Original from Library of Congress. Digitally enhanced by rawpixel.
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Aigles from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Guide for Constructing the Letter O from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Wild rose, Rosa (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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Libellules, fer à dorer; papillon, paon, hippocampes et libellule, bijoux; paons, fer à dorer; chèvres, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally e
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Gymnogramma Chrysophylla from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Chinese peony painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Oranges (Calamondian) (1919) by Deborah Griscom Passmore. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Woman Reading a Letter (ca. 1663) by Johannes Vermeer. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Cigales et anémones, bordure de napperon. Aras et platane, fonte from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Wild Pansy and Artichoke from Mira Calligraphiae Monumenta or The Model Book of Calligraphy (1561–1596) by Georg Bocskay and Joris Hoefnagel. Original from The Getty. Digitally enhanced by rawpixel.
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Tucana Piperivora (Mangiapepe Toucan) by Saverio Manetti (1723–1785). Original from The Beinecke Rare Book & Manuscript Library. Digitally enhanced by rawpixel.
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Basimycetes–Schwammpilze from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Canadian Wild Flowers (1869) Plate V: 1. Lilium Philadelphicum (Wild Orange Red Lily) 2. Campanula Rotundifolia (Harebell) and 3. Cypripedium Spectabile (Showy Ladys Slipper) by Agnes Fitz Gibbon and Catharine Parr Traill. Original from The Beinecke Rare
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A Group of Carnations from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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