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Antilopina–Antilopen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Lézard from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Têtes de chèvres, semis. Flamant, plaque cuivre fondu. Martins-pêcheurs, libellules, roseaux et nénuphars, encadrement de miroir cuivre repoussé. Lapins et muguet, frise from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil.
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Vintage bunch of red grapes illustration. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Ammonitida–Ammonshörner from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Athyrium Filix–Femina (Lady Fern) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Columbine, Marigold and Pheasant's Eye from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Seringapatam A Hollyhock (Alcea Rosea) (1815) Image from The Botanical Magazine or Flower Garden Displayed by Francis Sansom. Original from The Cleveland Museum of Art. Digitally enhanced by rawpixel.
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The Narrow–Leaved Kalmia from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Repast of the Lion (1907) by Henri Rousseau. Original from The MET Museum. Digitally enhanced by rawpixel.
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The Milkmaid (ca. 1660) by Johannes Vermeer. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Huppes et stramoine, bordure. Papillons, étoffe de soie. Kangourou et arbres, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Discomedusae–Scheibenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Écureuils from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil.​​​​ Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Two Women on the Shore (1898) by Edvard Munch. Original from The MET Museum. Digitally enhanced by rawpixel.
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Shell of a sea snail (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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Hepaticae–Lebermoose from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Polypodium Hastaefolium from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Anthomedusae–Blumenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Vintage bunch of green grapes illustration. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Sidney Hall’s (?-1831) astronomical chart illustration of the Taurus. Original from Library of Congress. Digitally enhanced by rawpixel.
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Honeysuckle (1874) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Chinese butterfly and insect painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Trachomedusae–Kolbenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Polypodiaceae Aspidieae (Polypody) rolled–up frond enlarged 4 times, Vaccinium Corymbosum (Common or Swamp Blueberry) bunch of fruit enlarged 8 times, and Polystichum Falcatum (Prickly Shield–fern) young rolled–up frond enlarged 5 times
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Hemelkaart met de noordelijke en zuidelijke sterrenbeelden (1705) by Pieter Schenk (I). Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Wallflower Pattern (1890) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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The Passiflora Cerulea from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Canadian Wild Flowers (1869) Plate [L]: 1. Castilleia Coccinea (Scarlet Painted Cup) 2. Orchis Spectabilis (Showy Orchis) 3. Arum triphyllum (Indian Turnip) and 4. Rudbeckia Fulgida (Corn Flower) by Agnes Fitz Gibbon and Catharine Parr Traill. Original fr
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Peaches (Prunus Persica) (1919) by Royal Charles Steadman. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Aloe Opuntia Polyanthos Image from Histoire des Plantes Grasses (1799) by Pierre-Joseph Redouté. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Turkish Pillow cover during 19th Century embroidered in coloured threads, silks on cotton, chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green by William Morris. Original from The Birmingham Mu
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Leaping Brook Trout chromolithograph (1874) by Samuel Kilbourne. Original from Museum of New Zealand. Digitally enhanced by rawpixel.
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Sidney Hall’s (?-1831) astronomical chart illustration of the Scorpio. Original from Library of Congress. Digitally enhanced by rawpixel.
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Cubomedusae–Würfelquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Coq, vase argent ciselé. Ombelles et libellules, jeu de fond. Crevettes, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Sidney Hall’s (1831) astronomical chart illustration of Lynx and the Telescopium Herschilii. Original from Library of Congress. Digitally enhanced by rawpixel.
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Avocado (Persea) (1916) by Amada Almira Newton. Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Hollyhock, Hepatica and Rest Harrow from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Cherries (Prunus Avium) (1894). Original from U.S. Department of Agriculture Pomological Watercolor Collection. Rare and Special Collections, National Agricultural Library. Digitally enhanced by rawpixel.
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Nose-Trunk (Ostracion Nasus) from Ichtylogie, ou Histoire naturelle: génerale et particuliére des poissons (1785–1797) by Marcus Elieser Bloch. Original from New York Public Library. Digitally enhanced by rawpixel.
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Adiantum Capillus–Veneris (Southern Maidenhair Fern) from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Rose, the Myrtle and the Ivy from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Polypodium Inaequale from Ferns: British and Exotic (1856-1860) by Edward Joseph LoweEdward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Story of the Dwellers at Eyr by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Cactus Opuntia Inermis Image from Histoire des Plantes Grasses (1799) by Pierre-Joseph Redouté. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Asplenium Vulgare from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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The Pontic Rhododendron from The Temple of Flora (1807) by Robert John Thornton. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Scarlet Ipomoea, Honeysuckle, White Heath and Sweet Sulian from The Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments (1896) by Robert Tyas. Original from The Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Cranes from Momoyogusa–Flowers of a Hundred Generations (1909) by Kamisaka Sekka. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Aspidium Cicutarium from Ferns: British and Exotic (1856-1860) by Edward Joseph Lowe. Original from Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Piotta's oxalis flowers from Edwards’s Botanical Register (1829—1847) by Sydenham Edwards, John Lindley, and James Ridgway. Original from the Biodiversity Heritage Library. Digitally enhanced by rawpixel.
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Love leading the Pilgrim: Tapestry (1909) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Love is Enough–Narrow Band of Ornament with Flowers and Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Aigles from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Scarlet Ibis with an Egg (1699–1700) by Maria Sibylla Merian. Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Chinese flower painting from the Qing Dynasty (1644–1911) by anonymous. Original from The MET Museum. Digitally enhanced by rawpixel.
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Libellules, fer à dorer; papillon, paon, hippocampes et libellule, bijoux; paons, fer à dorer; chèvres, bordure from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally e
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Peromedusae–Talchenquallen from Kunstformen der Natur (1904) by Ernst Haeckel. Original from Library of Congress. Digitally enhanced by rawpixel.
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Wild rose, Rosa (1596–1610) by Anselmus Boëtius de Boodt. Original from the Rijksmuseum. Digitally enhanced by rawpixel.
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