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Mäda Primavesi (ca. 1912–1913) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
Mäda Primavesi (ca. 1912–1913) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
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Baby (Cradle) (ca. 1917–1918) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
Baby (Cradle) (ca. 1917–1918) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
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Serena Pulitzer Lederer (1899) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
Serena Pulitzer Lederer (1899) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
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Textile sample (ca. 1920) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
Textile sample (ca. 1920) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
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Textile sample (ca. 1920) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
Textile sample (ca. 1920) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
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Textile sample (ca. 1920) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
Textile sample (ca. 1920) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
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Hermine Gallia (ca. 1903) by Gustav Klimt. Original from The Cleveland Museum of Art. Digitally enhanced by rawpixel.
Hermine Gallia (ca. 1903) by Gustav Klimt. Original from The Cleveland Museum of Art. Digitally enhanced by rawpixel.
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Portrait of a Young Woman Reclining (ca. 1897–1898) by Gustav Klimt. Original from The Getty. Digitally enhanced by rawpixel.
Portrait of a Young Woman Reclining (ca. 1897–1898) by Gustav Klimt. Original from The Getty. Digitally enhanced by rawpixel.
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Standing Woman (ca. 1910) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
Standing Woman (ca. 1910) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
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Two Studies for a Crouching Woman (ca. 1914–1915) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
Two Studies for a Crouching Woman (ca. 1914–1915) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
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Half-figure of a Young Woman (1918) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
Half-figure of a Young Woman (1918) by Gustav Klimt. Original from The MET Museum. Digitally enhanced by rawpixel.
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Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects (ca. 1901) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects (ca. 1901) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
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Curled up Girl on Bed (ca. 1916–1917) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
Curled up Girl on Bed (ca. 1916–1917) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
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Study of a woman wrapped in a plaid, resting by by Gustav Klimt (1872–1918). Original from The Rijksmuseum. Digitally enhanced by rawpixel.
Study of a woman wrapped in a plaid, resting by by Gustav Klimt (1872–1918). Original from The Rijksmuseum. Digitally enhanced by rawpixel.
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Portrait of a Woman (ca. 1910) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
Portrait of a Woman (ca. 1910) by Gustav Klimt. Original from The National Gallery of Art. Digitally enhanced by rawpixel.
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Tile Design–Processing Angels (1866) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Tile Design–Processing Angels (1866) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Tile Design–Processing Angels (1866) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Tile Design–Processing Angels (1866) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Two Designs for a Sofa (1861–1862) by William Morris and Dante Gabriel Rossetti. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Two Designs for a Sofa (1861–1862) by William Morris and Dante Gabriel Rossetti. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Quest for the Holy Grail Tapestries: The Arming and Departure of the Knights (1895–1896) by William Morris, Sir Edward Burne-Jones, and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Quest for the Holy Grail Tapestries: The Arming and Departure of the Knights (1895–1896) by William Morris, Sir Edward Burne-Jones, and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Quest for the Holy Grail Tapestries: The Failure of Sir Gawaine (1895–1896) by William Morris, Sir Edward Burne-Jones, and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Quest for the Holy Grail Tapestries: The Failure of Sir Gawaine (1895–1896) by William Morris, Sir Edward Burne-Jones, and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Quest for the Holy Grail Tapestries: The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival (1895–1896) by William Morris, Sir Edward Burne-Jones, and John Henry Dearle. Original from The Birmingham Museum. Digitally
Quest for the Holy Grail Tapestries: The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival (1895–1896) by William Morris, Sir Edward Burne-Jones, and John Henry Dearle. Original from The Birmingham Museum. Digitally
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Love leading the Pilgrim: Tapestry (1909) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love leading the Pilgrim: Tapestry (1909) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Love is Enough - Initial letter 'L' entwined with Laurel Leaves (1866–1867) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough - Initial letter 'L' entwined with Laurel Leaves (1866–1867) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Love is Enough–Initial letter “L” entwined with Laurel Leaves (1866–1867) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough–Initial letter “L” entwined with Laurel Leaves (1866–1867) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
by Free Public Domain Illustrations by rawpixel

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Love is Enough–Upright Border or Sidepiece Foliage entwined around a Pole (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough–Upright Border or Sidepiece Foliage entwined around a Pole (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Love is Enough–Upright Border or Sidepiece with Roses and Vines with Bunches of Grapes entwined around a Pole (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough–Upright Border or Sidepiece with Roses and Vines with Bunches of Grapes entwined around a Pole (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
by Free Public Domain Illustrations by rawpixel

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Love is Enough–Upright Border or Sidepiece with four Puti (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough–Upright Border or Sidepiece with four Puti (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Love is Enough–Upright Border or Sidepiece with entwined Foliage and Flowers (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough–Upright Border or Sidepiece with entwined Foliage and Flowers (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
by Free Public Domain Illustrations by rawpixel

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Love is Enough–Narrow Band of Ornament with Flowers and Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough–Narrow Band of Ornament with Flowers and Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
by Free Public Domain Illustrations by rawpixel

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Love is Enough–Narrow Band of Ornament Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough–Narrow Band of Ornament Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
by Free Public Domain Illustrations by rawpixel

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Love is Enough–Narrow Band of Ornament with Apples and Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Love is Enough–Narrow Band of Ornament with Apples and Foliage (1872) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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The Story of the Dwellers at Eyr by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
The Story of the Dwellers at Eyr by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Winter by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Winter by William Morris (1834–1896). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Turkish Pillow cover during 19th Century embroidered in coloured threads, silks on cotton, chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green by William Morris. Original from The Birmingham Mu
Turkish Pillow cover during 19th Century embroidered in coloured threads, silks on cotton, chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green by William Morris. Original from The Birmingham Mu
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Watercolour for Printed Fabric Design: Wey (1882-1883) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Watercolour for Printed Fabric Design: Wey (1882-1883) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Tulip and Willow (1875) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Tulip and Willow (1875) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Watercolour, woven fabric design: Dove and Rose (1879) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Watercolour, woven fabric design: Dove and Rose (1879) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Honeysuckle (1874) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Honeysuckle (1874) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Wild Tulip (1884) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Wild Tulip (1884) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Watercolour, woven fabric design: Anemone (1876) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Watercolour, woven fabric design: Anemone (1876) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Jasmine by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Jasmine by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Kennet (1883) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Kennet (1883) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
by Free Public Domain Illustrations by rawpixel

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Garden Tulip (1885) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Garden Tulip (1885) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Acanthus (1879-1881) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Acanthus (1879-1881) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Wallflower Pattern (1890) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Wallflower Pattern (1890) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Flowerpot (Pot of Flowers) (1883) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Flowerpot (Pot of Flowers) (1883) by William Morris. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Quest for the Holy Grail Tapestries-Panel 5: The Ship by William Morris, edward burne-jones and John Henry Dearle (1900). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Quest for the Holy Grail Tapestries-Panel 5: The Ship by William Morris, edward burne-jones and John Henry Dearle (1900). Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Quest for the Holy Grail Tapestries: Verdure with Deer and Shields (1900) by William Morris, Edward Burne-Jones and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Quest for the Holy Grail Tapestries: Verdure with Deer and Shields (1900) by William Morris, Edward Burne-Jones and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Cock Pheasant (1916) by William Morris and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
Cock Pheasant (1916) by William Morris and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Quest for the Holy Grail Tapestries:  Panel 1:  Knights of the Round Table Summoned to the Quest by the Strange Damsel (1898-1899) by William Morris, Edward Burne-Jones and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawp
Quest for the Holy Grail Tapestries: Panel 1: Knights of the Round Table Summoned to the Quest by the Strange Damsel (1898-1899) by William Morris, Edward Burne-Jones and John Henry Dearle. Original from The Birmingham Museum. Digitally enhanced by rawp
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William Morris Manuscripts: Good King Wenceslas (1894) by William Morris and Cornish Brothers. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
William Morris Manuscripts: Good King Wenceslas (1894) by William Morris and Cornish Brothers. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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The Shepheardes Calender Conteyning Twelve Aeglogues, Proportionable to the Twelve Monethes (1896) by William Morris, Arthur Joseph Gaskin and Kelmscott Press. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
The Shepheardes Calender Conteyning Twelve Aeglogues, Proportionable to the Twelve Monethes (1896) by William Morris, Arthur Joseph Gaskin and Kelmscott Press. Original from The Birmingham Museum. Digitally enhanced by rawpixel.
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Corbeaux, bordure au pochoir; cigales et chardons, étoffe imprimée from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
Corbeaux, bordure au pochoir; cigales et chardons, étoffe imprimée from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Coqs et poules, damassé; hippocampes et algues, dentelle; lézards et ronces, grille en bronze from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixe
Coqs et poules, damassé; hippocampes et algues, dentelle; lézards et ronces, grille en bronze from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixe
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Cygne sauvage from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
Cygne sauvage from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Poissons et algues, coq, écoinçon; paons et vigne; lièvres, chiens et ronces, bordurefrom L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
Poissons et algues, coq, écoinçon; paons et vigne; lièvres, chiens et ronces, bordurefrom L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Poisson et algues, papier peint; pigeon et pavots, bordure de vitrail from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
Poisson et algues, papier peint; pigeon et pavots, bordure de vitrail from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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Grenouilles et nénuphars, bordure; libellules, pochoir; poissons volants, libellules, bordures; milan et rat from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enha
Grenouilles et nénuphars, bordure; libellules, pochoir; poissons volants, libellules, bordures; milan et rat from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enha
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Lucanes et champignons, oxalides et papillons, bordure; cygnes, iris et nénuphars, émail cloisonnéfrom L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by raw
Lucanes et champignons, oxalides et papillons, bordure; cygnes, iris et nénuphars, émail cloisonnéfrom L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by raw
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Rouget from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
Rouget from L'animal dans la décoration (1897) illustrated by Maurice Pillard Verneuil. Original from the The New York Public Library. Digitally enhanced by rawpixel.
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