Metropolitan Museum of Art Yuan Dynasty Mural Buddha of Medicine Bhaishajyaguru (Yaoshi fo) 大都会博物馆广胜寺元代壁画药师经变或药师佛佛会图 : 無料・フリー素材/写真
Metropolitan Museum of Art Yuan Dynasty Mural Buddha of Medicine Bhaishajyaguru (Yaoshi fo) 大都会博物馆广胜寺元代壁画药师经变或药师佛佛会图 / patrick20042018
| ライセンス | クリエイティブ・コモンズ 表示-継承 2.1 |
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| 説明 | 65.29.2 Ca.1319 Poorly removed from the east wall of the main hall in the Lower Guangsheng Temple, in the northern Chinese province of Shanxi. Water-based pigment over foundation of clay mixed with straw. H. 24 ft. 8 in. (751.8 cm); W. 49 ft. 7 in. (1511.3 cm)Bhaishajyaguru, the Buddha of Medicine, sits on a lotus throne surrounded by an assembly of deities. Standing to either side of the central figure are the Buddha’s attendant bodhisattvas: Candraprabha, or Yueguang Pusa 月光菩薩, and Suryaprabha, or Riguang Pusa 日光菩薩. They can be identified by the adjacent white moon and the red sun, respectively. Two larger bodhisattvas are seated to the right and left of the smaller standing figures. Two secondary bodhisattvas at lower left and lower right carry a monk’s staff and medicine bowl, Bhaishajyaguru’s traditional attributes. The Twelve Guardian Generals are depicted at the two sides of the mural. They personify Bhaishajyaguru’s vow to help all in need by curing illness, ensuring the birth of healthy children, and providing clothing and other necessities.This painting was originally paired with an equally large image of Tejaprabha, the Buddha of Blazing Light, who controls the planets and constellations and, therefore, one’s fate. He is believed to bring good fortune and long life. The pairing of Bhaishajyaguru and Tejaprabha is unusual and may illustrate concerns fostered by the devastating earthquake and fire that destroyed the Guangsheng monastery complex in 1303.Technique and Style:This mural was painted on a ground of dry plaster mixed with straw and covered with clay. Thick black outlines define the images, which are filled in using vegetable and mineral pigments. Only the latter—predominantly red, green, and white—have survived. This is one of several murals from the Fen River area, in southern Shanxi province that are associated with the workshop of the early fourteenth-century master craftsman Zhu Haogu. A robust figure type with a full face and shallow spatial constrictions typify the style, found in both Buddhist and Daoist temple art.History:This representation of the Buddha of Medicine once adorned the east wall of the main hall in the Lower Guangsheng (“VastTriumph”) Temple, in the northern Chinese province of Shanxi. Rebuilt after an earthquake in 1303, the temple’s eastern compound is constructed along a north-south axis. The large entry gate leads into the front and main halls, which are connected by coveredwalkways. Used for assemblies and lectures, the main hall once contained paintings on its east, north, and west walls, as well asnumerous freestanding wooden sculptures of Buddhist deities. Records indicate that the hall was rebuilt and refurbished between1303 and 1319.A stele at the temple indicates that in the 1930s the monks sold four of the murals decorating the main hall in order to prevent its collapse after being damaged by an earthquake.整幅壁画长15.2米，高7.52米 画面正中央是药师琉璃光佛端坐在莲花宝座之上，面相慈祥圆润，仪态庄严，乌发肉髻，双耳垂肩，身披佛衣，坦胸露右臂，左手抚膝，右手结印，双足跏趺坐于莲花宝座中央。此壁画药师佛左手抚膝，与通常看到的药师佛左手捧药器有所不同。药师佛左右有日光菩萨和月光菩萨结跏趺坐于莲花宝座之上，与药师佛一起形成“药师三尊”，又称为“东方三圣”。周围又有“八大接引菩萨”站立环绕在“药师三尊”身旁。“药师三尊”莲花宝座下，各有献花供养的二尊菩萨或童子。画面二侧是十二尊药叉神将和护法天神部诸眷属围绕，护持着东方净土。 |
| 撮影日 | 2024-12-27 21:56:12 |
| 撮影者 | patrick20042018 , New York |
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