Walters Art Museum Sui Dynasty Wood&lacquer Buddha (Probably Amitabha) 沃尔特斯博物馆隋代木芯漆佛 : 無料・フリー素材/写真
Walters Art Museum Sui Dynasty Wood&lacquer Buddha (Probably Amitabha) 沃尔特斯博物馆隋代木芯漆佛 / patrick20042018
| ライセンス | クリエイティブ・コモンズ 表示-継承 2.1 |
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| 説明 | 25.9 Ca.590 Wood, lacquer, paint H: 41 3/8 x W: 28 3/4 x D: 21 11/16 in. (105.1 x 73.1 x 55.1 cm)Acquired in the early 1920s from the Japanese dealer Yamanaka Sadajirō (1866–1936) and said to be from the Great Buddha (Dafosi) Temple in Zhengding, Hebei Province, China, the Walters buddha sits with his legs crossed in a posture symbolic of meditation. The position of his arms indicates that the missing hands were one above the other on his lap, a gesture (dhyana mudra) that is also meditative.(Introducing the Three Buddhas and a Bodhisattva, Leidy)Carved from twelve joined pieces of wood, covered with five layers of lacquer, and then painted, this sculpture is the oldest, known surviving Chinese example of its type. In the form of Buddhism that flourished during this period of China's history, the historical Buddha Sakyamuni was one among many Enlightened Ones. He was seen to preside over this earthly realm while Buddhas enlightened in other realms preside over paradises or stood for abstract concepts and cosmological constructions. This sculpture probably depicts Amitabha, the Buddha who presides over the Western Paradise - a place where Buddhists of the period hoped to be reborn.“夹纻”作为中国传统的手工技艺，在公元4世纪已发展成熟。工匠先用泥或木头制作像芯，用一层层浸漆麻布反复包裹，漆干后，反复再涂多次，最后把内胎取空，这种繁杂的制作工艺材料昂贵，大漆对操作的气候环境有很大依赖，只有皇家贵族或大型寺院才具备这样的经济实力。中国古代典籍中对夹纻工艺的介绍大多以寥寥数语概括，因制作地区不同，气候环境略有差异，漆的调配，与其他材料的混合比例，制作步骤各有不同。年代最早的一尊漆佛为沃尔特斯所藏，可追溯至公元六世纪末隋朝的末期，佛像保存相对完好，仅双手残缺显示为木芯，是将漆料涂在实木模具上制成。袈裟表面残留鲜艳的红、蓝敷色，面部及右臂有明显的贴金痕迹，脱落处呈现乌黑色，发亮。 |
| 撮影日 | 2024-12-24 16:16:05 |
| 撮影者 | patrick20042018 , New York |
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