FRENCH ESCAPISM & LIQUID PAINTING, by scott richard : 無料・フリー素材/写真
FRENCH ESCAPISM & LIQUID PAINTING, by scott richard / the art of liquid painting
| ライセンス | クリエイティブ・コモンズ 表示-改変禁止 2.1 |
|---|---|
| 説明 | from april 3rd 2017:the highest park & the monet movement, scott richardfantasies of the outdoors play an important part in the history of art.landscape art and paintings with or of people are generally the big top sellers in a historical sense.the world of cold architecture has changed all of this immeasurably over the past six decades, though, pushing us toward the abstract and the monolithic.also, the impact of film has smashed to bits the old paradigms about sound and vision. storytelling has blown into full motion with flashbacks and revisionistic imaginings.but there are several things we can learn from the art of light in the post-camera golden age of france in the 1860s. the first thing is that motion is best achieved visually as sideways motion. the truth of vertical motion is rare. at least 98% of all movement happens laterally in a world that we understand based on ideas like gravity and circular earth, etc.let the light splash sideways!that is its nature visually. it may fall down, but it is broken sideways by all matterand another thing that the camera had taught those that had come into contact with its magical power in the those mid 1850s was this notion that there was no true black in reality. you could dodge something out of existence with white or try to burn something into blackness, but dodging just works better. so those studying the effects began to realize that GRAY was much more present in reality the way a camera saw things than BLACK had ever been.and in translation, that means that the traditional use of SHADES -- colors formed using black and a prima color to mix shadows -- could be infiltrated by the same concept but switching BLACK out for a type of GRAY.and gray can be warm or cool when you add colors. and heat and the idea of temperature give light FEELING which lends our eyes the illusion of an IMPRESSION.and so impressionism is a world of painting filled with colors and sunlight with shadows made from bright orange grays or cool shimmering blue grays, but very little black. instead, that artist goes chasing off after WHAT THE CAMERA CAN SEE and the secrets about light and perspective that it was in turn teaching the "modern" world of france and the surrounds. contemporary people tend to underthink the importance of the camera and its affect on all art from the 1820s and on.interestingly, impressionism is also tourist art of a sorts. the subject matter of most impressionism idealizes the outdoor sunlight and creates reveries and fantasies for one to ponder. when monet honeymooned with his wife, they stayed purposefully at a lookeysee resort hotel for three months to soak up the promenade lifestyle, to see the fancy style of the fashionable set, to copy from life the tastes of the day.and monet's work is very nice for dispaly. the museum shop is literally filled with (and i quote) thousands and thousands of retail dollars worth of coffee mugs and plates and scarves and calendars and books and postcards and cards and magnets and shirts and keyrings and pencils and pretty much ANYTHING they can put his stuff onto. there is an entire room of knockoff repro work from this guy.i sometimes imagine how much money per year changes hands for monet reproductions.it must be thousands and thousands and thousands of dollars worldwide every day. it's like its own religion in a way.and i got to admit, the guy knew what he was doing and kept nailing it. |
| 撮影日 | 2017-12-05 10:17:24 |
| 撮影者 | the art of liquid painting |
| タグ | |
| 撮影地 | |
| カメラ | Canon PowerShot G15 , Canon |
| 露出 | 0.008 sec (1/125) |
| 開放F値 | f/1.8 |
| 焦点距離 | 13651.87719 dpi |